Thomas Edison and the Jews

Unknown to most Americans is the fact that the first motion picture camera was invented by Thomas Alva Edison in East Orange, New Jersey. A lifelong inventor, Mr. Edison had over 1,000 inventions patented when he died in 1931.

Inventing a motion picture camera that worked properly was the easy part for Edison. Keeping the Jews from using the camera without paying him royalties for his invention was the hard part.

Carl Laemmie

As soon as the German born Jew, Carl Laemmle found out about motion pictures, he started figuring ways to exploit the new invention. Efforts by Laemmle and other Jews to deprive Edison of his fees for using his cameras forced Edison and other movie makers like Dickson, Casler, Koopman, Long, Smith, Klein and Marion to form a protective association called the TRUST.

As fast as the Jews could get their hands on Edison’s equipment and started using it, the Trust would file lawsuits against them to stop their illegally using his patented equipment.

Not to be outdone, Laemmle and other New York Jews, scurried around Europe in their efforts to circumvent the long arm of the Trust. Cameras based on Edison’s invention were smuggled into the United States by the Jews as well as raw film. Edison and the Trust had made arrangements with the Eastman Kodak Company to exclusively produce film for it and those who had been sanctioned to use the equipment by the Trust. Laemmle and his Jewish co-racialists found film manufacturers in Europe to supply them with Kodak-like film which was also smuggled into the United States.

When the courts moved at a snale’s pace or refused to stop the Jews from using Edison’s invention, the Trust would send out it’s own enforcement “police” which would seize and smash the illegal equipment. As one author noted, this forced the Jews to set up an elaborate warning system. Jewish lookouts would keep watch while the Jews were filming and when they observed the Trust “police” on their way, the Jews would quickly pack up their cameras and flee as fast as possible to another “filming” location.

However, Laemmle knew that while the Trust controlled most of the movie cameras, they could not get their films into circulation without “movie houses.” Edison and other non-Jewish movie makers distributed their movies through numerous non-Jewish independent “movie house” owners across America. However, those owning the movie houses were completely independent and had no central distribution center or move house chains.

Thomas Alva Edison(top), Adolph Zukor, founder of Paramount, Carl Laemmle of Universal; Louis B. Mayer, of MGM; William Fox of 20th Century Fox, and Harry Cohn of Columbia

The “pictograph” system as it was called, was quickly seized upon by the Jews as a means of making a fast buck by developing a series of cards depicting “movies” of naked women or sex acts by couples. To exploit the “pictograph” market the Jews used their homes and buildings in New York to set up “Nickelodeons,” which turned useless real estate into a means of making a fast buck—on this early form of pornography.

The Jewish “Nickelodeon” system spread from New York and Carl Laemmle used the “Nickelodeons” as a framework for organizing his own distribution system among his more than willing co-racialists nationwide.

The fight the Trust the Jews formed the Distributing and Sales Company. To get the “goyim’s” support, Laemmle allowed some non Jews to become involved and bring their movie houses and money into the venture. The non-Jews Robert Cochrane and Pat Powers merged their holdings with Laemmle. However, most of the funding for the DSC came from Jewish investors Laemmle had managed to get control over distribution facilities and over 300 theaters nationwide.

In his drive for power over the Trust and his competitors, Laemmle formed Universal Movie Distributors with Cochrane and Powers. After destroying his competitors at Mutual Film Distributors, Laemmle then proceeded to use his investors to push Cochrane and Powers out of Universal, and before long he was in total control and was nicknamed the “King of the Film Renters” At this point the control of the movie industry went from the non-Jewish hands of the Trust into the hands of Laemmle, Fox and other Jews. The Jews had won the fight for the to control the thinking of the American public.more

thank you bailey